"Gabriella Cleuren, At the sea Raquenez, 2007" by Gabriella Cleuren

“Every summer I travel from my home and artist studio in Belgium to paint at the seashore in Brittany. Brittany’s nature is a powerful - especially the ocean as it crashes against the rocks and the seashore. But this violence also creates magnificent beaches and islands. My fascination for sand and water is visible in my paintings. The remarkable daily occurring sandy connection of the mainland to the island of Raquenez is the theme of this painting. The tide exposes the corridor or closes it at a moment’s notice. This rhythm repeats itself every six hours and gives the passageway a very significant charm. Strolling the beach I discover small crustaceans, shells, wondrous rocks and creeks. I spend hours in exploration, fascinated by all unique treasures that wash up from the sea. ” - Gabriella Cleuren.

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"Milena Dimitrokallis, Simplicity, 2013" by Milena Dimitrokallis

“Simplicity is said to be the ultimate sophistication. It is a state of mind, being mentally free, a way of living your life, it is purity and truth, the greatest ideas and the best solutions in problems are the simplest, life itself is simple and so is happiness.” - Milena Dimitrokallis.

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"Michelle Abbott, A View for All Seasons, 2013" by Michelle Abbott

Michelle Abbott utilises colour, texture and abstract forms to create large scale works to 'get lost in.' With her latest works she has switched from canvas to paper, from oil paint to silk threads to create delicate yet forceful works which challenge the perception of new versus old and chaos versus order. “By plotting my axis of existence, almost as a ship would plot its course, I am creating patterns of my life. I am charting the continuity of my connections to others and threading together the layers of history and times gone by which are still relevant to the now.”

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"Toban Nichols, The Real Thing, 2009" by Toban Nichols

Visual artist Toban Nichols lives in Los Angeles, and has exhibited internationally at SCOPE New York, SCOPE Basel, the Digital Fringe Festival in Melbourne and the Seattle Art Museum. For The Tragedy Collection, Nichols took photographs of recognisable TV scenes using a camera phone. He then distorted and enlarged these images, exaggerating the pixelation in the process and removing the subject matter from its original context. His video and installations examine the themes of manipulation and destruction.

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"Adam Batchelor, Happiness Forever, 2012" by Adam Batchelor

Adam Batchelor explores capitalism, consumerism and global issues, and his Gardenerism series take the form of consumerist mandalas. His intricate ensembles are hand drawn using coloured and mechanical pencils, and they pack a subtle political punch. Batchelor has exhibited in Miami, Paris and London, and his work has featured in a range of publications, including Popshot Magazine, O.K. Periodicals and Beautiful/Decay.

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"Helen Dooley, Oscillations 13, 2013" by Helen Dooley

Helen Dooley constructs her encaustic paintings by collecting beeswax, pigments and wood ash from the Swedish forest she calls home. Inspired by natural phenomenon ‒ from the microscopic to the monumental ‒ Dooley describes her works as lyrical symbols which translate scientific theories and hypotheses, providing a means of contemplating the natural world on a more spiritual level.

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"Peregrine Heathcote, Steamage" by Peregrine Heathcote

Peregrine Heathcote’s paintings conjure a world of intoxicating glamour, slipping across the boundaries of time to fuse iconic pre-war design with modern conceptions of beauty and silverscreen-era romance. Each canvas suggests a story, prompting us to imagine the circumstances around a single crucial scene. Heathcote purposefully leaves such questions open, allowing us room to construct multiple narratives. The BBC have recently filmed a documentary on Peregrine’s portrait paintings, which have been exhibited at the Royal Society of Portrait Painters and the Royal Academy.

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"Elayne Barre, Prada" by Elayne Barre

Barre creates atmospheric landscape photographs which document Tornado Alley in the American Midwest. Her uncanny images explore places that time has left behind, existing eerily between the bleak and the nostalgic. "I found this location while driving the Texas-Mexico border on the way to a small town rodeo in the summer. There were no signs of life for 80 miles or more either side, just an abandoned town a couple of miles away. I drove straight past and had to turn around 5 minutes later - the storm you can see brewing started pretty soon after I got my shot."

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"Janet Payne, Call Me" by Janet Payne

Janet Payne trained in soft furnishings and upholstery before studying fine art at London's Central Saint Martins, and her former craft emanates in her tactile artwork. Through the appropriation of skilled craft techniques, Payne explores the boundaries between art and needlework, paint and embroidery, while keeping within the context and ideology of fine art.

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"Anja van Herle, Crystal Glasses" by Anja van Herle

Anja Van Herle's portraits combine European high fashion with an all-American sense of wonder, exploring issues of identity, emotion and human interrelationships. Just like Audrey Hepburn, Herle's women are playfully seductive and timelessly chic, and their eyes tell stories that go far beyond the simple exhibition of fine fashion. In the artist's masterful hands, fashion becomes alive – “these women - they feel.”

Art of the Day