In the Viscera series, the metaphors for life, death, destruction and decay which run through all of my deteriorated surface work are taken to their logical (and least metaphorical) conclusion. In the Viscera, the similarities between flesh and blood, metal and paint, are stark and unmistakable. The inescapable force and course of nature, laid bare.
This listing is for a pair of aluminium-mounted C-Type prints, each 16x12 inches, designed to be hung 1-2 inches apart to create an overall artwork size of 16x26 inches approx. Hand-signed and numbered on the back.
The photograph is professionally lab-printed onto Fuji Crystal Archive DPII paper using a traditional photo-chemical process, then mounted and sealed on a 3 layer aluminium substrate (for superb stability and warp-resistance). Finally, a UV-protective coating is applied to protect the prints. Wall-fixings are pre-fitted, so the piece is ready to hang straight away.
Also available as unmounted prints in a range of sizes on Hahnemühle FineArt Pearl paper (or similar), printed on either one or two sheets, hand-signed and numbered in the border, or as pairs of gallery-wrap canvases (signed and numbered on the back).
Please contact me for information and pricing on different sizes and finishes, or with any other questions.
Limited edition of 25 includes all sizes and finish options - this piece will be printed no more than 25 times in any form.
Please be aware that gallery-quality prints of this kind takes a little time. Turnaround times vary from 7 business days for unmounted prints to 10 business days on average for canvas and aluminium mounting, after which I take delivery of the work for inspection before shipping to you. Guaranteed to be worth the wait!
Prints on Fuji Crystal Archive Photo paper, mounted on Aluminium substrate, UV protective coating