Slasky - Reliquie/Relics No. 1
Mixed technique - Signed by hand - 2025
"Red Bull Icon" is part of the concept series
Compressed Relics by Slasky, in which everyday objects are physically compressed between glass and frame, turning into relics of our time.
The work presents a can collected on the street, crushed and set in a golden frame. An object of consumption, now without function, is stuck in space and time, elevated to a symbol of speed, of exhausted energy, of compressed urban identity.
Technique: ready / assembly
Materials: compressed can, glass, wood, fabric, paper
Frame: golden, with neutral passe-partout
Dimensions (including the frame): about 34 x 29 cm
Signature: by hand, bottom right
Certificate of authenticity included
Single piece - year 2025
The box becomes a centuries-old altar. The energy of the object is finite, but its image remains: frozen, protected, celebrated.
Tracked shipment and packaging
Professional included.
A Slasky concept series
This series is born from the radical act of compressing everyday objects, pop icons or residual materials between glass and frame, until they are transformed into contemporary relics.
Each work features a recognizable element - such as a crushed can, a visual fragment or a canvas - physically locked, nailed in time, in a space that normally celebrates art as a representation. Here, instead, art is pure matter: consumed, lived, deprived of function, but elevated to a symbol.
Visual tension
The compressed object generates a sense of discomfort, as if trying to get out. The golden frame - often baroque or bourgeois - amplifies this contrast between high form and downgraded content.
Material narration
Each element tells of a lived experience: the can is a symbol of consumption, energy, urban culture.
Other objects evoke memory, trauma, oblivion. The artistic gesture is not pictorial but mechanical, surgical, definitive.
Relic effect
The case becomes a secular altar, an archive of ruin, speed, compressed identity. Glass protects but also separates: it is distance, freezing, museum of the end.
Ultime Mostre
Parallax Art Fair
Kensington Town Hall
Hornton Street
London
W8 7NX
2024
Solo Exhibition
CONTEMPORARY VENICE
Palazzo Pisani-Revedin
S. Marco, 4013A , 30124 Venezia, Italia
ARTLAB
Benjamin Eck Gallery
Munich, Germany
2021
Mia Fair
The informazioni Photography Art Fair Italy
Milan, Italy
Lausanne Art Fair
Beaulieu Lausanne
Booth 59
Swiss
Lille ArtUp 2021
Lille, France
StreetArt//UrbanArt
Legnano, Italy
2020
Woodward Gallery
WashYourHands Exhibition
New York City, NY
RedSheep Gallery
Work in Paper
Stockholm, Sweden
2019
Wopart Art Fair 2019 / Centro Esposizioni - Lugano, Swiss
Lang Leve Rembrandt
Rijks Museum Amsterdam
#salvagecollection
Aluminum, paper, wood and glass
133 Artist Reviews
£1,126.88
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Slasky - Reliquie/Relics No. 1
Mixed technique - Signed by hand - 2025
"Red Bull Icon" is part of the concept series
Compressed Relics by Slasky, in which everyday objects are physically compressed between glass and frame, turning into relics of our time.
The work presents a can collected on the street, crushed and set in a golden frame. An object of consumption, now without function, is stuck in space and time, elevated to a symbol of speed, of exhausted energy, of compressed urban identity.
Technique: ready / assembly
Materials: compressed can, glass, wood, fabric, paper
Frame: golden, with neutral passe-partout
Dimensions (including the frame): about 34 x 29 cm
Signature: by hand, bottom right
Certificate of authenticity included
Single piece - year 2025
The box becomes a centuries-old altar. The energy of the object is finite, but its image remains: frozen, protected, celebrated.
Tracked shipment and packaging
Professional included.
A Slasky concept series
This series is born from the radical act of compressing everyday objects, pop icons or residual materials between glass and frame, until they are transformed into contemporary relics.
Each work features a recognizable element - such as a crushed can, a visual fragment or a canvas - physically locked, nailed in time, in a space that normally celebrates art as a representation. Here, instead, art is pure matter: consumed, lived, deprived of function, but elevated to a symbol.
Visual tension
The compressed object generates a sense of discomfort, as if trying to get out. The golden frame - often baroque or bourgeois - amplifies this contrast between high form and downgraded content.
Material narration
Each element tells of a lived experience: the can is a symbol of consumption, energy, urban culture.
Other objects evoke memory, trauma, oblivion. The artistic gesture is not pictorial but mechanical, surgical, definitive.
Relic effect
The case becomes a secular altar, an archive of ruin, speed, compressed identity. Glass protects but also separates: it is distance, freezing, museum of the end.
Ultime Mostre
Parallax Art Fair
Kensington Town Hall
Hornton Street
London
W8 7NX
2024
Solo Exhibition
CONTEMPORARY VENICE
Palazzo Pisani-Revedin
S. Marco, 4013A , 30124 Venezia, Italia
ARTLAB
Benjamin Eck Gallery
Munich, Germany
2021
Mia Fair
The informazioni Photography Art Fair Italy
Milan, Italy
Lausanne Art Fair
Beaulieu Lausanne
Booth 59
Swiss
Lille ArtUp 2021
Lille, France
StreetArt//UrbanArt
Legnano, Italy
2020
Woodward Gallery
WashYourHands Exhibition
New York City, NY
RedSheep Gallery
Work in Paper
Stockholm, Sweden
2019
Wopart Art Fair 2019 / Centro Esposizioni - Lugano, Swiss
Lang Leve Rembrandt
Rijks Museum Amsterdam
#salvagecollection
Aluminum, paper, wood and glass
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