Original artwork description:

An attempt to make a still life out of modern ingredients - a plastic thermos and tennis balls in place of the usual ceramic jugs and apples. The geometry is important - the canvas is square and the tennis balls are aligned according to a geometrical pattern, visible/undestandable only from above - (a homage to Piero Della Francesco's "Flagellation"). Piero believed that the hidden laws of geometry underlying everything in the world were proof of God's design, and we, as flawed and and limited beings, could only understand a part, seen from our side-on perspective. Although I am not conventionally religious, I admire this idea.

Materials used:

Home made oil paint on linen canvas, egg & oil emulsion primer, damar varnish

Tags:
#piero #modern #still life #perspective #tennis balls 
Modern Still Life (1976)
Oil painting
by Kenneth Hay

£3,303.49 Alert

  • Oil painting on Canvas
  • One of a kind artwork
  • Size: 70 x 70 x 2.5cm (framed) / 66 x 66cm (actual image size)
  • Framed and ready to hang
  • Signed on the back
  • Style: Unspecified
  • Subject: Still life
Original artwork description
Minus

An attempt to make a still life out of modern ingredients - a plastic thermos and tennis balls in place of the usual ceramic jugs and apples. The geometry is important - the canvas is square and the tennis balls are aligned according to a geometrical pattern, visible/undestandable only from above - (a homage to Piero Della Francesco's "Flagellation"). Piero believed that the hidden laws of geometry underlying everything in the world were proof of God's design, and we, as flawed and and limited beings, could only understand a part, seen from our side-on perspective. Although I am not conventionally religious, I admire this idea.

Materials used:

Home made oil paint on linen canvas, egg & oil emulsion primer, damar varnish

Tags:
#piero #modern #still life #perspective #tennis balls 

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Kenneth Hay

Location France

About
Trained under Sir Lawrence Gowing in the 'Euston Road' style of direct observational painting, following Cézanne, and then under pupils of Renato Guttuso and Oscar Kokoschka at Florence Academy, my... Read more

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