Jump, Jorgie, Garage (2015)
Colour photograph (Giclée) by A K Nicholas


  • Colour photograph (Giclée), Paper
  • From a limited edition of 100
  • Size: 9 × 12 × 0.02 in (unframed) / 7 × 10 in (actual image size)
  • This artwork is sold unframed
  • Signed and numbered on the front

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A K Nicholas

United States

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Artist's description:

Limited to 100 prints, each signed and numbered by artist A K Nicholas

Jorgie loves to dance and it is obvious in this image. The cold atmosphere of the space is punctuated by the shattered glass on the floor that recedes behind her. Faint yellow outlines where vehicles once parked for service. Her warm, tawny color blazes defiantly through the chilly scene with an explosion of confident energy. The dancer appears unconcerned with the hazards that surround her and the possibility of the gaze of others from the nearby roadway as seen through the partially open doors in the background. Expressing her individuality through movement, she seems extraneous to the scene that she inhabits.

One may see in this composition an eagerness to embrace life regardless of one’s circumstances. In many respects, this image is about color and form with psychological meaning supplied by the viewer.

Image size: 10x7 inches, 25x18 cm
Paper size: 12x9 inches, 30x23 cm
Sold and shipped unframed

This limited edition giclée print is on 100% cotton acid-free museum-quality paper. Archival pigmented inks ensure even the smallest details are visible and the colors remain as clear and vivid as the day it was printed, even after 100 years. Beautiful and long-lasting, this heavyweight (300 gram/24 mil) premium paper is engineered for exceptional contrast and crisp images. A certificate of authenticity is included.

From my Industrial Nudes series. This collection of images sets the nude form against unnatural environments of concrete, chrome, mechanization, and grit. This series contemplates the contrast between the mechanical and the organic; the clean and the gritty. Even the strongest human body is slight and delicate when compared to the rigid, bulky elements of the industrial backdrops. It is, at it’s base, a commentary that compares an idealized “human as an animal” to humanity’s perpetual expansion into the nature. The theme celebrates beauty and achievement by showcasing icons of mechanization in conjunction with the splendor of the human form.

Materials used:

archival pigmented inks on 100% cotton acid-free artist paper

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