Birds-eye view or Macro view? When I first envisaged this series, I was playing with the idea of how often a birds-eye view can be reflected in close-up images of the subject itself. Consider the idea of fractals and mandelbrots, for example. Poole Harbour, with its platelets of sandbanks and mudflats at low tide had been on my mind for a while. I had been looking through my back catalogue of photos and on GoogleMaps for a little inspiration. Then, a sunset visit to the local park in Hamworthy gave me the spark I had been looking for. The tide was out leaving small sand dunes surrounded by standing seawater – a near mini representation of the harbour itself. The gentle tonal changes in the water as the depth increases and the restful colour of the sea on a calm day and the waves gently roll in added to the inspiration for the second piece in this series. So, is this in fact a close-up impressionistic study of a beach, or is it a harbour at low tide? Either way, these visually stunning pieces are covered with a mix of both metal and gold leaf, the acrylic paint applied using all that a brush has to offer an artist!
Birds-eye view or Macro view? When I first envisaged this series, I was playing with the idea of how often a birds-eye view can be reflected in close-up images of the subject itself. Consider the idea of fractals and mandelbrots, for example. Poole Harbour, with its platelets of sandbanks and mudflats at low tide had been on my mind for a while. I had been looking through my back catalogue of photos and on GoogleMaps for a little inspiration. Then, a sunset visit to the local park in Hamworthy gave me the spark I had been looking for. The tide was out leaving small sand dunes surrounded by standing seawater – a near mini representation of the harbour itself. The gentle tonal changes in the water as the depth increases and the restful colour of the sea on a calm day and the waves gently roll in added to the inspiration for the second piece in this series. So, is this in fact a close-up impressionistic study of a beach, or is it a harbour at low tide? Either way, these visually stunning pieces are covered with a mix of both metal and gold leaf, the acrylic paint applied using all that a brush has to offer an artist!
This artwork is sold and shipped to you by Steph Pillinger, and will be packaged in a cardboard box. Artworks are dispatched within 1 working days from United Kingdom.
We want you to love your art! If you are not completely satisfied with your purchase you can return it free within 14 days, no questions asked. Learn more
Make interest free payments over 6, 10 or 12 months.
Pay a 10% deposit now, receive your artwork, then spread the remaining cost over your chosen time frame.
Quick and easy
Apply and get a decision instantly.
No hidden fees
No hidden costs or surprises!
Subject to credit check and approval. 10% deposit payment required. 0% APR representative. Only applicable on orders over £300. Please read full terms here.
