Original artwork description:

This is a painting of an image derived from a film I love. Can you guess the film just from the colour scheme and the type of doorway? I'll give you a clue: it is set in France in the South and the scene is from the very beginning of the film. A man carrying a baguette walks through the old town, along narrow streets, near the harbour. You follow his progress through his familiar territory until you realise he is being followed...
I'm interested in making paintings with a potential storyline.

Materials used:

Oil

Tags:
#filmic #the french connection #entrance marseille #city streets #doorway 
Featured by our Editors:
Doorway (2011)
Oil painting
by Sarah Ann Mitchell

Star fullStar fullStar fullStar fullStar full 2 Artist Reviews

£387

Original artwork description
Minus

This is a painting of an image derived from a film I love. Can you guess the film just from the colour scheme and the type of doorway? I'll give you a clue: it is set in France in the South and the scene is from the very beginning of the film. A man carrying a baguette walks through the old town, along narrow streets, near the harbour. You follow his progress through his familiar territory until you realise he is being followed...
I'm interested in making paintings with a potential storyline.

Materials used:

Oil

Tags:
#filmic #the french connection #entrance marseille #city streets #doorway 
Featured by our Editors:

We want you to love your art! If you are not completely satisfied with your purchase you can return it free within 14 days, no questions asked. Learn more

5.0

Overall Rating

Based on 2 reviews
5 stars
2
4 stars
0
3 stars
0
2 stars
0
1 stars
0

This artwork is sold by Sarah Ann Mitchell from United Kingdom

Visit Sarah Ann  Mitchell shop

Sarah Ann Mitchell

Star fullStar fullStar fullStar fullStar full (2)

Location United Kingdom

About
My practice is concerned with how we experience space, the psychology of urban landscape, and the personification of architectural space. I am influenced by Kevin Lynch’s notion that we don’t... Read more

View all