The work offers a multiple of interpretations but it is absolutely punctuated by Lisbon's cultural context. Depending on the angle , distance and time of contemplation it won't be difficult to see always new and different representations : the intensity of light, its blue sea, human heads which are Portuguese guitars , the bailarina who cheers herself up, the shawl , the typical lamps upon Lisbon's alleys , etc. , etc. And it is in this set that subtly, the whole social act culminates around the footsteps left by the arms of the guitar, whose swirly notes that, here and there, lead to an emotional garden of mindless childish caresses . The trail left by the melody is similar to Spring season, the bodies germinate in order to be played by the strings with which joy is produced. At each step , a Fado singer's smile , and in its essence , harmony.
Cianotipia; Watercolor and pen