"The contrast between the sharpness of the huge rocky cliff and the delicate fragility of the female form in this image creates a tension - not just from the fear of cuts and slices from the knife-like edges, but also due to the apparent melancholy of the woman with such colourful sunlit surroundings. You'd think she was a modern day cavewoman but really, as Summer draws close she represents a wide held feeling or sadness about returning home after the universal joy of travel, sunshine and warmth, We all dream about our next naked adventure in the great outdoors before we have even finished the present"
"Landscape Figures" explores the relationship between organic human figures and a notional 'wild landscape'.
For Glyn the landscape has always been more important than photography itself but for over three years now he has spent much of his time on a project exploring fragility of the human form in wild landscape, but also the sensuous relationship of the human to that environment.
“Although the nude is vital to the project and integral within the images, the images are not just ‘nudes’ – they are landscapes and stories. In a way they are just simple, beautiful, dreamlike visual questions”.
Archival - Pigment ink on 315 gsm acid free cotton-rag paper