Bird of Happiness - a painting of the new 'Miami Art Deco' set.
It is a balance between figurative and abstract painting. The paintings in this set fit perfectly into both contemporary and traditional interiors.
I created this series inspired by the spectacular, vivid, unusual and diverse architecture of Miami. The paintings reflect the cheerful and noisy night parties in the style of The Great Gatsby, passing among the splendor and luxury of nature in Florida, its tropical plants and flowers, colorful and noisy birds and animals.
I used acrylic, gold leaf, gold and metallic paints as only with them I can do to achieve the desired effect of brightness, ricnhess, color intensity and lightness.
Prof Dr Salvatore Russo says about my Miami Art Deco series: "Her painting is full of expressive and communicative force, ir's a set of meditations on liberating function of the color and drawing, on the power of a modern and refined figurative, to achieve the desired objective. The work of Daria Bagrintseva, stron of its beautiful handwriting and the intense chromaticism, moves within channels of visual and mental suggestions."
In Russian fairy tales, the blue bird is a symbol of hope. More recently, Anton Denikin has characterized the Ice March of the defeated Volunteer Army in the Russian Civil War as follows:
We went from the dark night and spiritual slavery to unknown wandering – in search of the bluebird.
In L'Oiseau Bleu ("The Blue Bird") a popular tale included by Madame d'Aulnoy (1650–1705) in her collection Tales of the Fairies, King Charming is transformed into a blue bird, who aids his lover, the princess Fiordelisa, in her trials.
Most to the point, a "blue bird of happiness" features in ancient Lorraine folklore. In 1886 Catulle Mendès published Les oiseaux bleus ("the blue birds"), a story bundle inspired by these traditional tales. In 1892 Marcel Schwob, at the time secretary to Mendès, published the collection Le roi au masque d'or, which included the story "Le pays bleu", dedicated to his friend Oscar Wilde. Maurice Maeterlinck had entered Mendès literary circle as well and in 1908 he published a symbolist stage play named The Blue Bird inspired by the same material. Two children, Tyltyl and Mytyl, are sent out by the fairy Bérylune (Jessie Ralph) to search for the Bluebird of Happiness. Returning home empty-handed, the children see that the bird has been in a cage in their house all along and create great happiness for another by giving their pet bird to the sick neighbor child. Translated into English by Alexander Teixeira de Mattos, it played on Broadway from 1910. In the programme for the (revival of the) play at London's Haymarket Theatre in 1912, the programme explained: "The Blue Bird, inhabitant of the pays bleu, the fabulous blue country of our dreams, is an ancient symbol in the folk-lore of Lorraine, and stands for happiness." The play was quickly adapted into a children's novel, an opera, and at least seven films between 1910 and 2002.
The symbol of a bluebird as the harbinger of happiness is found in many cultures and may date back thousands of years. One of the oldest examples (found on oracle bone inscriptions of the Shang Dynasty, 1766-1122 BC) is from pre-modern China, where a blue or green bird (qingniao) was the messenger bird of Xi Wangmu, the 'Queen Mother of the West' who began life as a fearsome goddess and Immortal. By the Tang Dynasty (618-906 AD) she had evolved into a Daoist fairy queen and the protector/patron of "singing girls, dead women, novices, nuns, adepts and priestesses...women [who] stood outside the roles prescribed for women in the traditional Chinese family". Depictions of Xi Wangmu often include a bird—the birds in the earliest depictions are difficult to identify, and by the Tang Dynasty, most of the birds appear in a circle, often with three legs, as a symbol of the sun.
Native American folklore:
Among some Native Americans, the bluebird has mythological or literary significance.
According to the Cochiti tribe, the firstborn son of Sun was named Bluebird. In the tale "The Sun's Children," from Tales of the Cochiti Indians (1932) by Ruth Benedict, the male child of the sun is named Bluebird (Culutiwa).
The Navajo identify the mountain bluebird as a spirit in animal form, associated with the rising sun. The Bluebird Song is sung to remind tribe members to wake at dawn and rise to greet the sun:
Bluebird said to me,
"Get up, my grandchild.
It is dawn," it said to me.
The Bluebird Song is still performed in social settings, including the nine-day Ye'iibicheii winter Nightway ceremony, where it is the final song, performed just before sunrise of the ceremony's last day.
Most O'odham lore associated with the "bluebird" likely refers not to the bluebirds (Sialia) but to the blue grosbeak.
Acrylic on canvas