"Spirit of Autumn, 2014" by Peter Corr

“I love the landscape and the changing weather conditions that we all experience in the UK and I wanted to somehow represent the changing seasons in my work, but perhaps through less traditional means and iconography. The idea of 'personifying' nature through the image of the female face seemed perfect for this subject. Although the series of paintings I produced don't employ the same level of intensely observed detail, I was clearly influenced by the style and work of the Pre-Raphaelite painters, Edward Burne Jones and Dante Gabriel Rossetti. I particularly like this work because it uses a a number of different methods and techniques to model form and to create texture and detail; the detail of the girl's hair is achieved by using a sgraffito technique, scratching through layers of paint to give the illusion of an incised, tactile, almost tangible surface. In the foreground, the falling leaves and flowers rely on translucent layers of glaze to suggest movement and depth. The girl herself, modelled in light and shade, is not copied from a photograph or indeed any other painting, she is an invention, a personification of the beauty of Autumn.”

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"Contemplating The Infinite, 2014" by Beatrice Margaret

“‘Contemplating The Infinite’ is one of several pieces I have been working on recently, based on the notion of contemplation of past and future. It's about reaching crossroads, making decisions and moving things forward. In mixed media on paper, this original work, by use of its colour and vigorous lines, suggests a positive outlook, and the idea that through thoughtful contemplation, struggle, strategy and a positive attitude, you can move forward and make positive, lasting changes to your life and work.”

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"The Venetian, 2014" by Bhavani Krishnan

“‘The Venetian’ is a casual street scene featuring an Italian bistro. I was drawn to the long shadows and beautiful late afternoon light on the street. The café has the perfect setting with the beautiful balcony adorned with flowers and eye catching yellow and red sign. I love taking the ordinary and making it extra-ordinary. I paint from the heart and interpret my emotional response to a scene when I paint rather than making a copy of the photo.”

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"LOOKING FOR SHELTER, 2015" by db Waterman

“‘Looking For Shelter’ is a work of art that talks about vulnerable women, looking for a safe place to hide away from the malicious crowd. I'm inspired by weathered walls with posters, peeling paint and all kinds of things in dilapidation, and I try to create something new, something beautiful with these elements. This particular artwork is part of my ‘Collages’ series. These collages are built up with all kinds of pictures, photos and images that I have collected over the years, using surfaces that have been splashed or stamped with watercolor or acrylic paint.”

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"Reflection, 2015" by Alex Ebdon

“I love the reflections you see in people's eyes. A snapshot of the world beyond and a glimpse into something that has captured someone's attention. For this piece I made the reflection very much the focus of the work, almost completely taking over the eye, with just a hint of the iris underneath. I gives the eye and other worldly quality whilst still retaining its incredible power to draw the viewer in. I worked in oils, using brushes and palette knife. I mixed thin layers that I allowed to run down the canvas together with thicker paint, often straight out of the tube and worked on the canvas surface.”

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"Uncertainty 4, oil on canvas 130x97cm, 2015" by Frederic Belaubre

“Shine of copper, flower of sin, bouillon of rose gurgles in its corolla of shadow..”

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"Pigeon, 2015" by Katia Bellini

“This is a new painting featuring an ancient Roman public sink with a drinking pigeon. Inspired by old crumbling walls, my aim was to build many layers of colour to express age and decay. I spent a lot of time shifting, sometimes destroying entire areas, and often repainting and overpainting until the old plastered wall with cracks and patches started to look right.”

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"Euphoria, 2015" by Michelle Carolan

“This is a large statement piece inspired by my travels to Morocco. Full of impact and atmosphere, I have used brushes with palette knives in my multi-layered technique to achieve lots of texture. Copper and gold highlights add an extra dimension in different light sources.”

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"Neptune's Odyssey Triptych, 2015" by Rachel McCullock

“This painting explores and celebrates the vibrant colours and turbulent movement of the ocean. An innovative use of mixed media and much layering of pigments and washes are used to create magical maritime colours and shapes. Looking through the waves one sees the troubled waters moving into a smooth calming harmonious sequence of the elements. The creative process is a lengthy, calming and engaging procedure; I begin by painting an oil base layer on the canvas followed by spray paint and various immiscible liquid paints. These cause wonderful patterns and textures as they interact together. These textures are built up gradually until the painting is balanced and aesthetically pleasing.”

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"As Far as the Eye can See, 2014" by John O'Grady

“This is a painting of a special place in Ireland I used to enjoy spending time in. While painting, marks and colours help me recall a memory or a feeling of a place...The open vista from a high viewpoint gives this piece a contemplative quality. It’s evening, the sun casts a burnt orange glow to the bog grasses. A warm feeling fills the atmosphere. Soft diagonal brushstrokes falling from sky to earth and the stream trailing off into the illuminated distance highlight a sensation of serenity. We look at paintings that we feel a connection with. Do you feel it too?”

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