"Owl" by Liz Chaderton

“This is a hand carved and printed lino cut of an owl. We have little owls in the trees where I live, which make a racket, however this handsome chap was in captivity and flying at our village fair. This particular form of lino cut is called Chine Colle, which means Chinese collage. First the lino is carved back-to-front. You then cut the backing patterned paper to fit the shape. Next comes the super tricky part - you ink the lino and place it face up, then you apply glue to the reverse of the patterned paper and carefully (very carefully) place it face down on the inked lino. Next you line up the backing paper and run the sandwich of lino and paper through the press. I use a table top roller press, so you have to be careful that nothing slips. And the moment of truth! You pull back the covers and lift the paper. If all has gone to plan you get an interesting print and the collage paper has been stuck down in the process. You end up inky and gluey, but the images look fab as they hang on the line in my studio to dry. The joy of this process is that no two prints are the same.”

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"Grandfather and Grandson on the Beach., 2013" by Mary Kemp

“Even the coldest weather holds a chance to walk on the beach past the beach huts and dream of warmer days. What inspired me to paint this picture was the obvious pleasure this grandfather and grandson had in each other's company. I wanted to use slightly unreal colours because the day I saw them was so grey!”

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"Contemplative Horizons, 2015" by Mel Graham

“A stunning landscape with nothing but an inspirational sky above and the wonder of nature below. Bring the outside, inside. I find inspiration from empty landscapes, pure and simple, nature and space. This piece is named “Contemplative Horizons” because this is one of the views I go to in my thoughts to peruse life's big decisions, or to simply think of...nothing. I hope I have captured a sense of space, depth of nature and sense of endless time to contemplate in this piece.”

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"Emerald City#1, 2014" by Maria Fondler-Grossbaum

“This unusual mixed media diptych painting has layers thick paint with rhinestones and modeling and crackle paste. I have always felt that the most amazing forms, structures, colour and textures are found within nature and that exposure to these elements have been my inspiration. My studio is filled with interesting natural objects; porcupine quills, fossils, stones, feathers, wood and shells are incorporated into the piece, again enriching the visual and intellectual experience.”

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"Irises, 2014" by Veda West

“I have always adored irises, even as a child. I am drawn to their colours and elegant form and try to capture this in my work. The original was painted on delicate mulberry paper which is similar to tissue paper, but thicker with strands of fibre running through it. I use this paper as it creates beautiful effects when painting wet on wet. The inks and paint bleed more easily making the work more expressive.”

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"Cosmos flower, 2014" by Yumi Kudo

“Last autumn one of my sisters who lives in Japan sent me a beautiful photograph of a cosmos field she had visited in central Japan. It was just beautiful, and even though I was not there, I could imagine the enchanting view of pink cosmos field. I picked up my bush, and painted the cosmos based on my imagination and the photograph.”

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"Creative passion, 2014" by Thierry Vobmann. Abstract .

“My main painting activity is abstract painting; for me this is a true communication between souls in total freedom. The energy that we have inside of us drives us to create, to express who we are and to share with others. My painting ‘Creative Passion’ illustrates the materialisation of this force that comes out of us and is projected into the universe. All my canvases are made with acrylic painting on canvas, using brushes and palette knives.”

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"Abstract 4 Acrylic On Canvas, 2015" by Ian Viggars

“I am becoming more interested in abstract shapes, patterns, and colours, and in the process of applying paint to the canvas in different, more creative ways. I achieved this effect by applying masking tape to the canvas, then applying the blue background colour using a paint roller. The top shapes of various circles, dots, and lines were created using stencils and a paint roller again. This image was inspired by the artists Piet Mondrian, and by the music and artwork of the band Stereolab. I hope it takes your eye on a journey!”

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"Tuscany hills, 2013" by Alessandro Andreuccetti

“South of Siena, in Tuscany, there is a large area of rolling hills, bleak, that follow one after the other like waves of the sea. I wanted to recreate this fluctuating movement through dense brushstrokes of earthy colors like ocher, burnt sienna, carmine red. Here and there small patches of ultramarine capture the attention and lead the eye to the horizon.”

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"The Epicenter, 2015" by Anthony Crammen

“‘The Epicenter’ is a wall based sculpture inspired by the minimalist art movement during the 1960's/70's. It features a round glossy white wooden disc with multiple coloured suede leather cord hanging from the centre in various lengths. ‘The Epicenter’ also references earthquakes and my love of science; the circle represents the earth with the cord being the seismic waves that push themselves away from the impact zone.”

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