Mikhail Logvinov

Joined Artfinder: April 2026

Artworks for sale: 7

Serbia

About Mikhail Logvinov

 
 
  • Biography

    Geometric Impressionism combines the sensuality of Impressionism with the structure of geometric abstraction.

    The painting contains two spaces: the geometric element and the landscape (object).

    The geometric element contains a necessary, strict structure, uniting the primary geometric forms.

    The combination of two spaces – the action expressed in the geometric element and the object (landscape) containing the impression – creates a new perception.
    We use the geometric element to transform the emotion of Impressionism into action, movement, and activity. We connect two spaces that exist separately in life – experiences, emotions, impressions, and action, purposeful activity.

    Reality and actuality are given the opportunity to coexist.
    Thinking and understanding are united in action. The background, object, and geometric element enter into a dialogue with one another.
    Thus, the objects in the painting acquire symbolic content, referring us to the world of abstractionist ideas.


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Biography

Geometric Impressionism combines the sensuality of Impressionism with the structure of geometric abstraction.

The painting contains two spaces: the geometric element and the landscape (object).

The geometric element contains a necessary, strict structure, uniting the primary geometric forms.

The combination of two spaces – the action expressed in the geometric element and the object (landscape) containing the impression – creates a new perception.
We use the geometric element to transform the emotion of Impressionism into action, movement, and activity. We connect two spaces that exist separately in life – experiences, emotions, impressions, and action, purposeful activity.

Reality and actuality are given the opportunity to coexist.
Thinking and understanding are united in action. The background, object, and geometric element enter into a dialogue with one another.
Thus, the objects in the painting acquire symbolic content, referring us to the world of abstractionist ideas.