About Hartmut Häcker
Standard Plan
This artist is subscribed to Artfinder's Standard Seller Plan
This artist is subscribed to Artfinder's Standard Seller Plan
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Education
2012 - 2015
European Academy of Fine Arts, Trier, Germany
Awards
2017
Haueisen Kunstpreis
shortlisted
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Previous events
Event: ARTe Sindelfingen
Dates: 21 Mar 2019 - 24 Mar 2019
Fair for contemporary art.
Find me at booth B1.2 with Daniela Schweinsberg.
Biography
For me, art is a way of communication by which I deal with sensory experiences from my environment and the feelings evoked by them. It is important to me that the result is coherent even though my art might be perceived as less accessible by some beholders.
Statement:
In my art I strive to create color spaces that should have great
depths, often achieved by light-dark and / or warm-cold contrasts.
With my work I respond to the many visual impressions that affect me every day.
As a catalyst / inspiration I often use paintings from the 15th to the 17th century, but also impressions from advertising or films, as well as everyday situations. But mainly "old" paintings because everyday visual impressions are often neither positive nor beautiful.
The forms are amorphous, interrupted by line and grid structures.
I am not concerned with depicting something seen, what is seen serves exclusively as a starting impulse. The work is done in an experimental use of acrylic and oil paints, supplemented with spray paints.
The process is the important thing, not the reproduction of my visual impressions.
Nevertheless, my viewers should perceive the work just as positive and "beautiful" to see, as it is for me to engage with my sources.
With my work I respond to the many visual impressions that affect me every day.
As a catalyst / inspiration I often use paintings from the 15th to the 17th century, but also impressions from advertising or films, as well as everyday situations. But mainly "old" paintings because everyday visual impressions are often neither positive nor beautiful.
The forms are amorphous, interrupted by line and grid structures.
I am not concerned with depicting something seen, what is seen serves exclusively as a starting impulse. The work is done in an experimental use of acrylic and oil paints, supplemented with spray paints.
The process is the important thing, not the reproduction of my visual impressions.
Nevertheless, my viewers should perceive the work just as positive and "beautiful" to see, as it is for me to engage with my sources.
Please don't hesitate to contact me, if your country isn't in my shipping table.
I'll give you an individual quote. Thank you.
