In my early twenties, I worked part-time in a laboratory and an architectural bureau, creating interior items and art objects. While I was inventing an exquisite combination of organic and functional works, the design, artistic activity, and biophysics merged into unity in my mind. Over time, the projects blurred the boundary between visible reality and the hidden natural processes of organisms I've observed during medical studies. That led to the prevalence of histological ornaments, molecular images, and the living organisms’ colors and shapes in the art.