About Sergio Aranda
Links
Education
2001 - 2001
IED Jewelry Design
2000 - 2002
ArtDibujo Barcelona
1999 - 2000
HRD
1986 - 1989
SSEC
There are no upcoming events
Show previous events Hide previous events
Previous events
Event: Urbex Residence
Dates: 1 Aug 2021 - 31 Aug 2022
I start a collaboration with David CHA Gallery in Paris
Event: Paris
Dates: 1 Mar 2021 - 31 May 2021
I have been lucky enough to present 4 works in this important Parisian Gallery
Event: TAXIE Gallery
Dates: 1 Aug 2020 - 3 Sep 2020
LUMO at Taxie Gallery - 19, Rue de Turenne - Le Marais - 75004 Paris
Event: La GRANJA
Dates: 1 Dec 2019 - 30 Aug 2020
Small Format Exhibition
Event: Zubieta Kalea
Dates: 10 Aug 2019 - 18 Aug 2019
Small Format Fair Exhibition
Event: ARTGalerio Madrid
Dates: 1 Mar 2019 - 31 May 2020
ArtGalerio was my own space where I presented my paintings and my jewelry collections in Madrid (Spain) a great experience to have my own gallery.
During the most complicated period of the Covid 19 pandemic, with the different lockdown's, without customers and no tourists, I decided to close and move to Paris. And I start to sale my Art online with ArtFinder.
Event: El Gato
Dates: 1 Dec 2018 - 20 Dec 2018
Small Format Christmas Exhibition
Event: La Carbonera
Dates: 10 Oct 2017 - 30 Jan 2019
Own PopUp Gallery down town Barcelona
Biography
I am Sergio Aranda, a Spanish visual artist born in Switzerland and based in Barcelona. My life has moved through cities such as Geneva, Madrid, and Paris—places whose architecture, textures, and layered histories have deeply shaped the way I see and work.
My practice centers on the exploration of material surfaces and the traces that time leaves on them. I am drawn to weathered walls, oxidized metals, and architectural fragments marked by years of transformation. These surfaces contain a quiet record of time, memory, and human presence.
Through layered mixed-media processes—scraping, abrasion, and the gradual accumulation of materials—I build paintings that evolve through cycles of construction and erosion. Layers are applied, removed, and reworked repeatedly, allowing the surface to develop its own internal history. The works often feel less constructed than uncovered, as if fragments had slowly emerged from within the material itself.
Within these layers, traces of ornamental patterns sometimes appear—fluid motifs that echo the organic sensibility of Art Nouveau or the dense decorative intensity of the Baroque. These elements are never fully preserved; they emerge partially, interrupted or eroded, becoming subtle residues embedded within the surface.
The Japanese philosophy of Wabi-Sabi has also influenced my approach to material and process. The idea that beauty can exist within imperfection, impermanence, and transformation resonates strongly with the way my paintings develop over time.
Occasionally, gold appears beside darkened or oxidized surfaces, creating a quiet dialogue between luminosity and corrosion, refinement and decay. These contrasts reflect the fragile balance between creation and deterioration that exists both in the built environment and in human experience.
Through these layered surfaces, I explore how time, matter, and gesture accumulate into something that feels both fragile and enduring.