Process is central within the painting practice of Rod McIntosh. His mark making has a fluidity and honesty that reveals itself through a muted pallet of monotones. This lends the work a striking and minimal appearance, which coalesces with the quiet sensitivity to his materials, time invested and action.

Through rehearsal, the mark-making is an embodiment of a gestural flow with the breath that is privately performed.

For McIntosh the provenances and particular characteristics of each material are of great importance. Following closely traditional eastern recipes for archival inks and pastes he works upon delicate Chinese papers that absorb every fluid movement as he accepts the brevity of a final committed stroke.

Presence and concentration is key to his practice in cultivating a meditative quality. Examining his temporal gestures, alongside ideas of mindfulness, permanence, attachment and acceptance.