About Natalia Lugovskaya
Links
Education
2017 - 2022
Repin Art School
2010 - present
Repin art school
Awards
2025
TartgetPrize2025
OF RECOGNITION
PROUDLY PRESENTED TO
Natalia Lugorska
In recognition of its outstanding participation in the first edition of the international painting competition TARTGET PRIZE 2025 after being selected as:
SEMIFINALIST
This certificate was awarded by:
TARTGET
PRIZE
PANIXE CONIEST
Madrid, April 2025
J.F. GOMEZ CA
MERONERO
Managing Pirector
Connecting Global Projects S.L.U.
2019
KievArt Week
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Previous events
Event: Exploring the Power of Womanhood.
Dates: 15 Feb 2024 - 14 Mar 2024
The theme of the exhibition is women's conscience, sexuality, corporeality, gender nutrition.
Event: Kreativ ist die Frau
Dates: 4 Mar 2023 - 5 Mar 2023
Flucht, Migration und ihre Vielfalt.
Biography
Natalia Lugovska (b. 1969, Zaporizhia, Ukraine) began her creative journey long before she held a brush. As a child, she invented patterns, sewed clothes, experimented with macramé and even shoe design — always searching for forms that could express the unseen. Her path to painting was not accidental but rather inevitable: it became the language through which she could transform fleeting impressions into lasting symbols.
From 2010 to 2012, she studied at the Repin Art School with the Honored Artist of Ukraine, Alexander Lysenko, and later deepened her practice in the studios of Ukrainian artists. These years gave her technical mastery, but her true artistic voice was born at the intersection of photorealism, symbolism, and surrealism.
Lugovska’s paintings often start from her own photographs, then undergo a transformation — fragments are altered, colors shifted, perspectives reimagined. The result is not an imitation of reality but a new, heightened world, where fragile beauty becomes eternal.
Her works have been exhibited internationally, including at Kiev Art Week (2019, Zenko Gallery), the 58th Venice Biennale (2019, Giardini project “Falling Shadow: Dreams in the Gardens”), and the exhibition “Exploring the Power of Womanhood” in New York (2024).
Today, her paintings belong to private collections worldwide, continuing to resonate with viewers as meditations on beauty, transience, and the human need to preserve the unrepeatable.
