About Margarita Ivanova
Links
Education
2004 - 2010
Academy of Architecture and Arts
Awards
2021
International Exhibition "People"
2021
International Exhibition-Competition Red show
2020
International Exhibition-Competition Male Image
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Previous events
Event: Elvira Exhibition
Dates: 28 Jul 2023 - 11 Sep 2023
Elvira Exhibition, Oasis gallery
Event: International ART Fair ARTCONTACT Istanbul
Dates: 30 Jun 2023 - 4 Jun 2023
International ART Fair ARTCONTACT Istanbul
Event: International Exhibition-Fair Art World
Dates: 5 Feb 2022 - 13 Feb 2022
International Exhibition-Fair Art World
Event: International Exhibition Starfall
Dates: 15 Dec 2021 - 16 Jan 2022
International Exhibition Starfall. Moskow
Event: International art Competition
Dates: 15 Apr 2021 - 24 Apr 2021
International Exhibition-Fair ART-Rostov
Event: 11th "Figurative" ART Exhibition
Dates: 5 Apr 2021 - 30 Apr 2021
11th "Figurative" ART Exhibition
Event: Human Nature
Dates: 1 Apr 2021 - 30 Apr 2021
Human Nature
Event: International Exhibition "Watching the Earthlings"
Dates: 7 Mar 2021 - 17 Apr 2021
International Exhibition "Watching the Earthlings"
Event: International 3D Exhibition "Home Compote"
Dates: 4 Mar 2021 - 2 Apr 2021
International 3D Exhibition "Home Compote"
Event: International online Contemporary art Competition
Dates: 1 Feb 2021 - 28 Feb 2021
2rd place
Event: International Exhibition-Competition Men`s Image
Dates: 3 Nov 2020 - 8 Nov 2020
International Exhibition-Competition
3rd place
Event: Art Rostov
Dates: 6 Sep 2020 - 13 Sep 2020
International Exhibition and Fair of Art
Event: Zen ART Festival
Dates: 24 Jun 2020 - 30 Jun 2020
International festival of symbolic art. Moscow.
Biography
Painting and art in general has always been an integral part of my life. After graduating from the Architectural Institute in 2010, I worked by profession. But painting soon gained the upper hand and has been my only profession and practice since 2019. Since then, more than 200 of my works have been in collectors all over the world. The theoretical platform of my artistic practice is metamodernity or new sincerity. In this context, I define my main method by the term "oscillation". Exploring the fluctuations between the inner and the outer, the personal and the collective, I turn to the modernist problems of the medium. However, I am more interested in the system of perception itself, rather than the physical embodiment of the image. In my works, I focus on the performative symbolic structure of painting. I draw on the experience of Michel Foucault, on his analysis of the renewed Impressionist relationship between painting as an object and painting as an illusory volume. I am looking for ways to articulate the ambivalence of the very nature of the image – framed and simultaneously revealed in virtual layers of consciousness. I am trying to mark the midpoint of the oscillation, which is localized precisely in optics, in perception. I don't paint portraits, I don't try to formulate a question or an answer, but I create a reason to doubt the usual interpretation, the Lacanian Real. In this, I am guided by the Magritte iteration of surrealism, with its visionary entry into the logic of conceptual art and even further into the process of oscillation. I reject traditional aesthetic gradations, creating a painting-an object with which the viewer independently comes into visual contact.
