About Erika Cárdenas
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Education
2022 - 2024
Aalto University
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Previous events
Event: ERIKA CÁRDENAS OPEN STUDIO
Dates: 20 Jun 2023 - 26 Jun 2023
Open studio after my printmaking residency in Mexico City
Event: Contemporary Drawing
Dates: 9 Mar 2023 - 20 Mar 2023
Drawing group exhibition after explorations and dialogues inside natural territories in Espoo, Finland.
Event: CLAVO Art Fair 4th edition
Dates: 3 Nov 2022 - 5 Nov 2022
Contemporary Art Fair in Mexico City
Event: De lo lejano a lo próximo
Dates: 1 Sep 2022 - 1 Dec 2022
Solo exhibition where I presented my serie called "Digital Landscaper3 where I presented 30 encaustic and oil paintings about satellite images founded in Google Earth.
Event: Sin Destino Aparente
Dates: 4 Mar 2022 - 8 Apr 2022
Printmaking Exhibition
Biography
Erika Cárdenas (1996, Mexico). Lives and works in Paris.
Erika Cárdenas is a Mexican visual artist, born and raised in Mexico City. She began her artistic training in visual arts at the Centro de Arte Mexicano, followed by specialized studies at the Escuela Activa de Fotografía and the Taller de Arte Contemporáneo de México. She later completed a master’s degree in Visual Culture, Conservation, and Contemporary Art at Aalto University in Helsinki, Finland. Her artistic practice focuses primarily on painting, while also incorporating printmaking as a complementary medium.
Her pictorial research explores the relationship between space, memory, and matter, drawing on multidisciplinary approaches from philosophy, poetry, geography, and geology. She paints to trace matter within memory, to observe how past gestures remain on the surface and evoke the way memory overlays our perception of the world. Each layer in her paintings is an imprint of what has been and continues to resonate. She does not seek to represent, but to allow things to reveal themselves through proximity and context—letting the painting speak through its own marks and show how things coexist and transform.
Painting thus becomes a threshold that articulates space and time, marking rhythms and transitions that possess their own temporality: a living time that marks, preserves, and accumulates. Through this process, she seeks to capture those places where each pictorial trace reflects the paradoxical attempt of the finite to contain the infinite.
