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Phyllis and Aristotle (2014) Original Oil Painting by Nicolas Maureau

38.19 x 51.18 x 0.79" / 38.19 x 51.18" (actual image size)

$3,364.5

A philosopher reduced to four legs and a rider holding the reins: Phyllis and Aristotle gives Nicolas Maureau's interpretation of a scene medieval audiences loved, Phyllis riding Aristotle, read for centuries as a simple metaphor for love triumphing over reason.

The story usually plays as comedy, the wise man humbled by desire, but the painting holds onto the discomfort underneath the joke rather than resolving it. Reason doesn't just lose here, it's made to carry someone, made physically subordinate in a way the medieval version treated as moralizing spectacle and this one treats more as a quiet standoff.

Placed within the Scènes de Genre series, the scene becomes less about warning men against seduction than about who gets to hold power over whom, and how easily that power can be reversed.

Materials used:

oil painting

Details:

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A philosopher reduced to four legs and a rider holding the reins: Phyllis and Aristotle gives Nicolas Maureau's interpretation of a scene medieval audiences loved, Phyllis riding Aristotle, read for centuries as a simple metaphor for love triumphing over reason.

The story usually plays as comedy, the wise man humbled by desire, but the painting holds onto the discomfort underneath the joke rather than resolving it. Reason doesn't just lose here, it's made to carry someone, made physically subordinate in a way the medieval version treated as moralizing spectacle and this one treats more as a quiet standoff.

Placed within the Scènes de Genre series, the scene becomes less about warning men against seduction than about who gets to hold power over whom, and how easily that power can be reversed.

Materials used:

oil painting

Details:

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Nicolas Maureau

Location France

About
I paint the figures history has already told us we know, kings, saints, heroines, and ask what's left of them once you take away the costume. My work sits at... Read more

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