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Orange light (2015) Photograph by Gary Moger

55.88 x 38.1 x 0.25cm (unframed) / 53.34 x 35.59cm (actual image size)

1 Artist Review

$430.51

North Cornwall. Winter, 2015.

The sun is going down and the cliffs are on fire.
That orange light. It arrives low and fast in a Cornish winter, catching the top of the headland, burning it gold while the Atlantic below stays cold and silver-blue. The rocks are dark. The sea is still. And for a few minutes, everything is lit from the side like a painting that nobody planned.

This is Gary's backyard. The coastline he surfs, reads, lives alongside. After twenty years here he knows its moods intimately — the swell direction, the quality of the light, the precise moment the day decides to do something extraordinary.
Part of a series capturing the texture and light of the Atlantic during Cornish winter storms — the ocean at its most raw, most alive, most itself.

A Note on Process
Every print I sell is made in my own studio and checked for every detail and quality before I pack it for shipping. I use plastic free packaging.
The paper I use is the finest quality and after years of experimenting, I find it gives the best tonal range and finish.
Hahnemühle has been making art papers for hundreds of years.

Materials used:

Nikon FX camera, Hahnemuhle Photorag Archival paper

Details:

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North Cornwall. Winter, 2015.

The sun is going down and the cliffs are on fire.
That orange light. It arrives low and fast in a Cornish winter, catching the top of the headland, burning it gold while the Atlantic below stays cold and silver-blue. The rocks are dark. The sea is still. And for a few minutes, everything is lit from the side like a painting that nobody planned.

This is Gary's backyard. The coastline he surfs, reads, lives alongside. After twenty years here he knows its moods intimately — the swell direction, the quality of the light, the precise moment the day decides to do something extraordinary.
Part of a series capturing the texture and light of the Atlantic during Cornish winter storms — the ocean at its most raw, most alive, most itself.

A Note on Process
Every print I sell is made in my own studio and checked for every detail and quality before I pack it for shipping. I use plastic free packaging.
The paper I use is the finest quality and after years of experimenting, I find it gives the best tonal range and finish.
Hahnemühle has been making art papers for hundreds of years.

Materials used:

Nikon FX camera, Hahnemuhle Photorag Archival paper

Details:

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Gary Moger

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Location United Kingdom

About
Gary Moger is a British photographer with nearly three decades of professional experience and a career spanning editorial, advertising, travel and fine art. After studying photography at Westminster in London,... Read more

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