Original artwork description:

From the series “Memories paper”; oil colors and graphite pencil on paper; 29.5 x 42 cm, 2014.

I suppose that every family, as well as mine, owns his proper baggage of photographic memories, kept in an old cabinet somewhere in the house. In that place are kept the stories of the whole family, the memories of grandparents, the marriage of the parents, the childhood period, all the summer holidays, and countless other occasions to remember.
Their appeal lies in the irregularities, in the imperfections, in the grains of dust that soiled the film, in the overexposure burning the edges and merging all the objects in an indistinct white light, in the color fading due to the passage of time. I like to think that the paper possesses its own selective memory, which unveils some elements of the image while hides or removes others, staining only parts of the scene, while the rest is left in the second floor, in black and white. Or I like to think that the fading paper misses parts of that memory, and sometimes what remains seems not to be the most important thing. NOTE: when looking at the painting with a narrow visual angle, some really small imperfections appear, like microscopic drops. They are due to the final varnish, but they are not visible when looking at the painting frontally.

Materials used:

oil and pencil on paper

Tags:
#chinese boy #boy #childhood #child #china #memories #memory #childhood memories #chinese #childhood stories 
Xin as a child (2014)
Oil painting
by Federico Cortese

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Original artwork description
Minus

From the series “Memories paper”; oil colors and graphite pencil on paper; 29.5 x 42 cm, 2014.

I suppose that every family, as well as mine, owns his proper baggage of photographic memories, kept in an old cabinet somewhere in the house. In that place are kept the stories of the whole family, the memories of grandparents, the marriage of the parents, the childhood period, all the summer holidays, and countless other occasions to remember.
Their appeal lies in the irregularities, in the imperfections, in the grains of dust that soiled the film, in the overexposure burning the edges and merging all the objects in an indistinct white light, in the color fading due to the passage of time. I like to think that the paper possesses its own selective memory, which unveils some elements of the image while hides or removes others, staining only parts of the scene, while the rest is left in the second floor, in black and white. Or I like to think that the fading paper misses parts of that memory, and sometimes what remains seems not to be the most important thing. NOTE: when looking at the painting with a narrow visual angle, some really small imperfections appear, like microscopic drops. They are due to the final varnish, but they are not visible when looking at the painting frontally.

Materials used:

oil and pencil on paper

Tags:
#chinese boy #boy #childhood #child #china #memories #memory #childhood memories #chinese #childhood stories 

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This artwork is sold by Federico Cortese from Italy

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Federico Cortese

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Location Italy

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I’m like a mouse in its box. A little mouse safe in its shelter, that passes his time gnawing the food stored for the winter. But my food are the drawings. I... Read more

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