Artwork description:

Another entry in my favourite theme of deteriorated surface abstracts, cracked and peeling paint on a crumbling wall, shot amongst the rubble of a partly demolished Lancashire mill building, this study in beautiful decay is both a striking image in itself and also a meditation on the passage of time and gradual destruction (by design or neglect) of our industrial heritage.

This is print 1 of 25. Brand new and exclusive to Artfinder. Limited edition of 25 prints across all sizes and finishes (plus two 24x18in artist's proofs). Each print is individually hand-signed and numbered.

The photograph is available either as unmounted prints in a range of sizes from 12x9 inches [30x23cm approx.] to 24x18 inches [61x46cm approx.], and also in ready-to-hang options of 16x12 inch [40x30cm approx.] traditional gallery wrap canvas or modern aluminium mounting. All are produced by an award-winning lab using only the finest quality materials.

In addition to this aluminium-mounted option, unmounted prints of this piece are available in 12x9in (£65), 16x12in (£90), 20x15in (£110), 24x18in (£135). Also available as gallery-wrap canvas (16x12in £150).

Please contact me to request size or finish options not already in my store. Or if you don't see the size and/or finish you want, please get in touch...other options may be available, including very large statement pieces as illustrated in the additional images.

Unmounted prints come on Hahnemühle FineArt Pearl 285 g/m² paper (or equivalent as appropriate), printed with Epson Ultrachrome K3 pigment inks for true museum quality and colourfastness certified for 100 years. These are absolutely the finest quality prints to be found, used by professional photographers when only the best will do, and loved by art collectors for their stunning detail in highlight and shadow as well as depth of tone. All prints come with a wide border for easy mounting and framing.

Gallery wrap canvas prints are produced using the same Epson K3 inks as my paper prints, on heavyweight 100% cotton canvas, to create pieces with richness and luminosity along with a wonderfully tactile texture. They are stretched onto a frame made from sustainable wood, reinforced for stability and fitted with robust metal fixings for easy hanging

Aluminium mounting is the ultimate ready-to-hang enhancement to your home decor, a spectacular image and a sleek and modern mounting system which creates a stunning piece of gallery standard artwork. The photograph is professionally lab-printed onto Fuji Crystal Archive DPII paper using a traditional photo-chemical process, then mounted and sealed on a 3 layer aluminium substrate (for superb stability and warp-resistance). Finally, a UV-protective coating is applied to protect the print. Wall-fixings are pre-fitted, so the piece is ready to hang straight away.

Please be aware that quality of this kind takes a little time. Turnaround times vary from 7 business days for unmounted prints to 10 business days on average for canvas and aluminium mounting, after which I take delivery of the work for inspection before shipping to you. Guaranteed to be worth the wait!

In-context images simulated and for illustration purposes only.

Materials used:

Print on Fuji Crystal Archive Photo paper, mounted on Aluminium substrate, UV protective coating

Tags:
#demolition #abstract #texture #conceptual #industrial #wall #building #abandoned #decay #urbex #derelict #cracked #mill #surface #lancashire #destruction #metal print #deterioration #white on blue #peeling paint 
White On Blue - 1/25 - 16x12in Aluminium Mounted (2015)
Photograph
by Justice Hyde

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£175

Artwork description
Minus

Another entry in my favourite theme of deteriorated surface abstracts, cracked and peeling paint on a crumbling wall, shot amongst the rubble of a partly demolished Lancashire mill building, this study in beautiful decay is both a striking image in itself and also a meditation on the passage of time and gradual destruction (by design or neglect) of our industrial heritage.

This is print 1 of 25. Brand new and exclusive to Artfinder. Limited edition of 25 prints across all sizes and finishes (plus two 24x18in artist's proofs). Each print is individually hand-signed and numbered.

The photograph is available either as unmounted prints in a range of sizes from 12x9 inches [30x23cm approx.] to 24x18 inches [61x46cm approx.], and also in ready-to-hang options of 16x12 inch [40x30cm approx.] traditional gallery wrap canvas or modern aluminium mounting. All are produced by an award-winning lab using only the finest quality materials.

In addition to this aluminium-mounted option, unmounted prints of this piece are available in 12x9in (£65), 16x12in (£90), 20x15in (£110), 24x18in (£135). Also available as gallery-wrap canvas (16x12in £150).

Please contact me to request size or finish options not already in my store. Or if you don't see the size and/or finish you want, please get in touch...other options may be available, including very large statement pieces as illustrated in the additional images.

Unmounted prints come on Hahnemühle FineArt Pearl 285 g/m² paper (or equivalent as appropriate), printed with Epson Ultrachrome K3 pigment inks for true museum quality and colourfastness certified for 100 years. These are absolutely the finest quality prints to be found, used by professional photographers when only the best will do, and loved by art collectors for their stunning detail in highlight and shadow as well as depth of tone. All prints come with a wide border for easy mounting and framing.

Gallery wrap canvas prints are produced using the same Epson K3 inks as my paper prints, on heavyweight 100% cotton canvas, to create pieces with richness and luminosity along with a wonderfully tactile texture. They are stretched onto a frame made from sustainable wood, reinforced for stability and fitted with robust metal fixings for easy hanging

Aluminium mounting is the ultimate ready-to-hang enhancement to your home decor, a spectacular image and a sleek and modern mounting system which creates a stunning piece of gallery standard artwork. The photograph is professionally lab-printed onto Fuji Crystal Archive DPII paper using a traditional photo-chemical process, then mounted and sealed on a 3 layer aluminium substrate (for superb stability and warp-resistance). Finally, a UV-protective coating is applied to protect the print. Wall-fixings are pre-fitted, so the piece is ready to hang straight away.

Please be aware that quality of this kind takes a little time. Turnaround times vary from 7 business days for unmounted prints to 10 business days on average for canvas and aluminium mounting, after which I take delivery of the work for inspection before shipping to you. Guaranteed to be worth the wait!

In-context images simulated and for illustration purposes only.

Materials used:

Print on Fuji Crystal Archive Photo paper, mounted on Aluminium substrate, UV protective coating

Tags:
#demolition #abstract #texture #conceptual #industrial #wall #building #abandoned #decay #urbex #derelict #cracked #mill #surface #lancashire #destruction #metal print #deterioration #white on blue #peeling paint 

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This artwork is sold by Justice Hyde from United Kingdom

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Justice Hyde

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Location United Kingdom

About
Justice Hyde is a photographic artist based in North West England. Largely self-taught, his work incorporates multiple strands: explorations of mortality through abstracted images of deteriorated surfaces both natural and... Read more

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