My approach to digital printmaking combines an interest in landscape, design, logo, symbols and signage. As a reductive artist I'm always in pursuit of a minimal outcome, nudging towards the abstract. My unique delineation of the landscape is based on a stripped down reality and pay homage to the early twentieth century German and Swiss design aesthetic.
This is a view from Penrhyn Mawr looking towards South Stack & Holyhead Mountain.
Digital Drawing with a Wacom Tablet and stylus using Vectors. Printed on archival paper using lightfast pigment inks.