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This monoprint study explores the pose and line work drawing of a figure created in 2001. During this time I was experimenting and playing with monoprints, originally drawing the images on paper as a sketch then redrawing on to printing paper via blue printing ink on a metal plate.
This allowed the image to be transferred, simplifying into a more illustrative rendering, observing the flattening of space, investigating the way old Japanese woodcut prints flattened space. The drawing has been produced on handmade textured paper.
Blue printing ink on Japanese handmade paper