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“The modern artist... is working and expressing an inner world - in other words - expressing the energy, the motion, and other inner forces.”
“With experience it seems to be possible to control the flow of paint, to a great extent, and I don’t use – I don’t use the accident – ‘cause I deny the accident... it’s quite different from working, say, from a still life where you set up objects and work directly from them. I do have a general notion of what I’m about and what the results will be. I approach painting in the same sense as one approaches drawing, that is, it’s direct.”