Experimenting with movement of paint on top of a partially wet layer in order to distort the subject yet keeping it identifiable. I felt that due to the nature of this painting, a tight, neat portrait would not work with the brief, therefore I was very expressive and gestural with the paint, using a pallet knife to move the paint across the surface.
The distortion of the american flag is an indication of just how distorted and crooked America could become with this man in the White House.
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