My recent series of paintings reflect my interest in maps, cartography and topography. They do not represent actual maps, but reference a composite collection of locations that intuitively evoke a sense of place. The paintings are constructed on the grid as an underlying structure of poured colored paints, richly layered surfaces that reveal and conceal strata and crust. I am interested in the physicality of landforms and its evidence of time and age as it emerges from the residue of human marks.
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