The beginning of my surreal scenography is reaching far back in time, to a period prior to the
Eastern EU disintegration. Emerging back in the eighties in the performances of a multimedia collective, consisting of various artists,
experimenting in the area of surrealism, modern expressionism, and ritualistic music.
Early works were triggered by reactions to many weird spiritual and social events in the past millennium. Rather than pursuing high-ambition
goals, the obscure and trivial constructs were the only option. Rather than resistance, the surreal and imaginary was a conscious decision towards liberation. The majority of artworks are the result of long,
solitude, and patient work. They will bring visitors closer to Rubins deep contemplative perceptions of the world.