Diego de la Rosa

Joined Artfinder: Dec. 2016

Artworks for sale: 8

Canada

About Diego de la Rosa

 
 
  • Biography

    Diego de la Rosa is a fine artist based in Toronto, Canada. His work explores the cultural impact of social crisis in his native country, and relies on symbolism to explore the ideas and sentiments born from this reality. His process involves the collection of found imagery of people and places from Venezuela that are then rearranged into painted narratives full of imaginative elements, such as giants, theatrical atmosphere, and fantastical characters. The source imagery represents the perceived reality, while the painting tactics embody the values and ideas that are employed to create a reading for these circumstances. 

     The use of allegory in his paintings provides an artistic translation of social concepts similar to the interpretative approach of an anthropological study. He uses these painted scenarios to illustrate both the cultural notions surrounding the crisis, and critical theories on resilience, frustration, spatial inhibition and the desire for power, which he employs to analyze the subject at hand. Through his work, De la Rosa creates images that universalize issues related to the search of hope and social struggle, evoking empathy in societies so distant from his own. 

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Biography

Diego de la Rosa is a fine artist based in Toronto, Canada. His work explores the cultural impact of social crisis in his native country, and relies on symbolism to explore the ideas and sentiments born from this reality. His process involves the collection of found imagery of people and places from Venezuela that are then rearranged into painted narratives full of imaginative elements, such as giants, theatrical atmosphere, and fantastical characters. The source imagery represents the perceived reality, while the painting tactics embody the values and ideas that are employed to create a reading for these circumstances. 

 The use of allegory in his paintings provides an artistic translation of social concepts similar to the interpretative approach of an anthropological study. He uses these painted scenarios to illustrate both the cultural notions surrounding the crisis, and critical theories on resilience, frustration, spatial inhibition and the desire for power, which he employs to analyze the subject at hand. Through his work, De la Rosa creates images that universalize issues related to the search of hope and social struggle, evoking empathy in societies so distant from his own. 

 
 
 
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